Tuesday, January 18, 2011

Googland

Googland


[G] A year of the new DoubleClick Ad Exchange: improving large publishers’ returns

Posted: 18 Jan 2011 02:04 AM PST

DoubleClick Publisher Blog: A year of the new DoubleClick Ad Exchange: improving large publishers' returns

Fifteen months after launch, the new version of DoubleClick Ad Exchange is showing strong momentum -- we've tripled the number of transactions since last year -- which translates into more dollars for publishers. We've embedded new technologies into the Exchange, allowing us to expand upon research we conducted in mid-2010 showing that publishers could expect a 136% increase in effective CPMs (eCPMs) by making pre-emptible ad space available through the Exchange. Our updated finding? According to a new white paper released today, when publishers make inventory available in the Ad Exchange, and the Exchange wins the auction, they generate, on average, 188% more revenue compared with upfront sales of non-guaranteed ad space to networks and other third-party buyers.



The white paper's findings reflect how publishers are materially benefiting from upward pricing pressure, a result of increased demand as more AdWords and Google Display Network buyers come online. Yields are also going up thanks to higher spending through agency trading desks and new third-party technology providers. And real-time bidding continues to be a major draw, now accounting for 56% of buyer spend.



We are also continuing to add features to the Exchange that put publishers even more firmly in control of what types of ads appear on their site, enabling them to build and protect their brand. Recent enhancements include:
  • Private Ad Slots: Customizable, invitation-only auctions that allow publishers to make certain ad spaces available only to trusted advertisers and assign variable pricing floors depending on the buyer
  • Category Blocking: Greatly expanded blocking capabilities based on 170 fine-grained vertical categories
  • Troubleshooting Toolbar: A new browser toolbar that allows publishers to quickly identify the source of ads for easy blocking
Download the white paper.


Posted by Campbell Foster, Product Marketing Manager




URL: http://doubleclickpublishers.blogspot.com/2011/01/year-of-new-doubleclick-ad-exchange.html

[G] This Tuesday! Broken Social Scene go live on YouTube

Posted: 17 Jan 2011 07:03 AM PST

YouTube Blog: This Tuesday! Broken Social Scene go live on YouTube

On Tuesday, January 18 at 9 p.m. ET, Canada's sprawling indie rock collective Broken Social Scene kicks off their Winter 2011 tour with a live performance at NYC's Terminal 5 -- and you'll be able to watch the show as it happens on http://www.youtube.com/bowerypresents.

The group will also be curating the YouTube homepage on Tuesday, with a mix of videos that are as surprising and eclectic as the band itself.

Who are Broken Social Scene? Maybe a better question would be, who aren't they? Formed as a loose collaborative of Toronto musicians/friends back in 1999, the shifting lineup has looked like a who's who of indie rock -- with Leslie Feist as perhaps the brightest star in the constellation. (Check out this playlist featuring the band's other projects.) If you don't know Broken Social Scene's music, think Arcade Fire and The Postal Service, with a dash of Sonic Youth.

Multi-instrumentalists and singer-songwriters Kevin Drew and Brendan Canning started the group in 1999, but it wasn't until 2003 that the group really started to take off with the release of You Forgot It In People. On that album, the group had swollen to 11 members, and the collective crafted a gregarious -- some might say bombastic -- album whose woozy grace seemed perpetually on the verge of falling apart. Fans found it utterly engrossing. The album won a Juno Award for Alternative Album of the Year, and suddenly Broken Social Scene were the buzz band, garnering accolades from Pitchfork on down.



Broken Social Scene has always been based on a notion of fragility; it's built into its very name. Some have compared the group to 1970s-era Fleetwood Mac for its, um, complicated interpersonal dynamics -- all of which seems inevitable in a group that (by some counts) includes 31 friends/musicians among its ranks. The band took a hiatus after wrapping up a massive tour in 2005, filling the relative void with a couple of Broken Social Scene Presents albums.

But a creative force this potent couldn't stay dormant. Broken Social Scene came back together for 2010's Forgiveness Rock Record, another ambitious collaborative effort that saw early members like Feist, Amy Millan and Emily Haines returning to the fold. It's a gorgeous piece of work, as evinced by the opening track "World Sick."



Meanwhile, the obsession with Broken Social Scene and its mythic qualities has grown. Writer and friend of the band Stuart Berman authored an oral history of BSS called This Book Is Broken (see an interview with Berman here) and there is also a feature film, This Movie Is Broken, which juxtaposes live footage of the group with a fictional love story.



As Broken Social Scene continues to evolve, we say if it ain't Broken, fix it.

Sarah Bardeen is a longtime music obsessive, critic and journalist who joined YouTube recently as Music Community Manager. She recently watched "ASA - <> [OFFICIAL MUSIC VIDEO HD]."


URL: http://feedproxy.google.com/~r/youtube/PKJx/~3/hkNsnraJJbs/this-tuesday-broken-social-scene-go.html

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